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Mary Lowndes (1857–1929) was a British stained-glass artist who co-founded the stained glass studio and workshop Lowndes and Drury in 1897. She was an influential leader in the Arts and Crafts movement, not only for her stained glass work and successful studio-workshop, but also for opening doors for other women stained glass artists. She was an active participant in the suffragette movement, acting as Chair of the Artists' Suffrage League, and creating poster art to assist the movement.
Lowndes lived and worked in Chelsea, where she had her own studio to work on designs, but there was no workshop nearby to complete her stained glass work. She would travel to Southwark, to the Britten and Gilson studio-workshop, where she would select the coloured glass for her commissions, paint the glass and supervise the firing and glazing of the windows. Lowndes worked as a stained glass designer for James Powell & Sons from 1887 to 1892.
Lowndes was one of the first women to work professionally in stained glass in the 1890s. "Women, generally amateurs, might occasionally design windows and even take some part in their execution, but they rarely if ever practiced the whole art independently as a full time professional occupation".
The new studio-workshop in Chelsea was named Lowndes and Drury. The venture developed out of Lowndes and Drury's shared experience of working for a big studio, and they created their new enterprise to meet the needs of the new school of independent artists associated with the emerging Arts and Crafts movement. The studio-workshop would provide the technical facilities to allow artists to work on all stages of their stained glass commissions, from design to glass selection, painting and glazing. The partnership was established with an initial investment of £30 from each partner. Lowndes also provided a £200 loan and additional loans of £280 came from Lowndes's companion, Barbara Forbes, her aunt, Miss Alice Vivian Kaye and friend, Miss J.F. Pearson. Along with Drury's small investment, the new firm was financed in its early years by these four women.
Lowndes managed the new business with Drury, but chose not to be chief designer of the workshop. Like other workshop clients, she primarily used the facilities to work on her own stained glass commissions. Her stained glass was highly regarded and in great demand at the time, and her work can be seen in parish churches throughout England and Wales.
In 1906, with the need for bigger facilities, Lowndes and Drury founded the Glass House in Lettice Street, Fulham. The building at 9, 10, 11 and 12 Lettice Street was established as a stained glass studio for works commissioned by Lowndes and Drury and for use by independent artists. It was a purpose-built stained glass studio and workshop, designed by Christopher Whall and Drury. The Glass House attracted many artists, including Wilhelmina Geddes and Robert Anning Bell. In the early twentieth century, it was considered the most important studio-workshop for stained glass associated with the Arts and Crafts movement. The Glass House, Hammersmith and Fulham. British Listed Buildings. Retrieved 10 September 2012.
Between 1903 and 1914, the methods used by the women's suffrage movement began to change and they began to engage in public demonstrations and other propaganda activities. Lowndes' training as an artist and stained-glass designer encouraged the use of bold shapes and a love of full, rich colours, using striking combinations of green and blue, magenta and orange. She wrote a guide in 1910 to help women create their own Banners and Banner-Making, saying of the suffrage banners: "you do not want to read it, you want to worship it. Choose purple and gold for ambition, red for courage, green for long-cherished hopes ... It is a declaration." Such banners were designed with female images like flowers, lit lamps, shells, sunrays, winged hearts; and to honour female heroines like Boadicea, Elizabeth Fry, Florence Nightingale, Marie Curie, Josephine Butler, Jane Austen, Mary Wollstonecraft, Charlotte Brontë and even 'Victoria, Queen and Mother'. These were carried in their hundreds or thousands in London's Pageant of Great Women 1909, Hyde Park Rally 1910, From Prison to Citizenship 1911, Pilgrimage for Women's Suffrage 1913, and later that year at the grand funeral procession of Emily Davison, the suffrage movement's martyr who threw herself under the King's horse at the Epsom Derby. An album of Lowndes' original banner designs (detailed on paper in watercolour and often accompanied by fabric swatches) resides at the Women's Library at the London School of Economics.
Lowndes was also personally active in the national Suffragette movement, including her leadership of the National Union of Women's Suffrage Societies executive committee.Lago, Mary. (1995). Christiana Herringham and the Edwardian Art Scene. University of Missouri Press. p. 287
She was a member of the committee of the feminist magazine The Englishwoman's Review and contributed regularly to it.
Lowndes died in 1929 and was buried in Buxted, East Sussex, England. She left Forbes a sum of money, all her pictures, prints, cartoons, studio effects and her shares in The Englishwoman Ltd.
(2018). 9781452169927 ISBN 9781452169927
Personal life
Lowndes' lifelong companion was Barbara Forbes, the secretary of the Artists' Suffrage League founded by Lowndes. Throughout her life, Lowndes suffered from chronic asthma.
Selected stained glass work
Posthumous recognition
Lowndes's name and picture (and those of 58 other women's suffrage supporters) are on the plinth of the statue of Millicent Fawcett in Parliament Square, London, unveiled in 2018.
Gallery
Further reading
Categories: 1857 Births, 1929 Deaths, 19th-century English Women Artists, 20th-century English Women Artists, Alumni Of The Slade School Of Fine Art, Arts And Crafts Movement Artists, English Stained Glass Artists And Manufacturers, British Suffragettes, Suffragists From London, English Suffragists, International Congress Of Women People, People From Buxted, Artists From Dorset
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